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Bahia Ritual Vessel with Spider Monkey

SKU PF.0648
Circa

200 BC to 600 AD

Dimensions

10.375″ (26.4cm) high

Medium

Terracotta

Origin

Coast of Manabi, Ecuador

Gallery Location

USA


 

The Pre-Columbian cultures of Ecuador are among the oldest in South America and among the first to master the art of pottery. Although we know little about the peoples themselves or their traditions, historians have been able to piece together a picture of life in Ancient Ecuador thanks in part to the art and artifacts left behind. The culture of Valdivia created some of the oldest known works of art in the Americas. Situated along the coastal strip of Ecuador, the Valdivians established a thriving society that flourished for around two thousand years (from approximately 3500 to 1500 B.C.). Today they are famed for their small fertility figures, believed to be the earliest representational works of art in the Americas, first carved from stone, later formed from terracotta.

Hundreds of years later after the Valdivians disappear from the archaeological record appears another culture to which the name Chorrera has been attached (lasting from circa 1100-300 B.C.). Little is known about this culture; however, it is significant for its widespread geographical reach. As such, their artistic style greatly influenced those diverse cultures that began to emerge in the final centuries of the Chorrera period, a time historians have labeled the Period of Regional Development.

Among the most prominent cultures that flourished in the wake of the Chorrera are the cultures of Bahia, Jama Coaque, and La Tolita. Around 200 B.C., the Bahia developed along the coastal strip in the modern province of Manabi, lasting until approximately 600 A.D. Their earliest terracotta works were greatly indebted to the Chorrera; however, over the years a distinctive style emerged characterized by large figures adorned with detailed dress and body ornamentation.

Vessels used in long-forgotten rituals often seem solemn, mysterious, even ominous. That is not the case with this extraordinary object, whose mood is defined by the mischievously grinning spider monkey perched atop its triple- orbed base. His broad, wicked smile suggests that whatever the giddy intoxicant this vessel may origninally have contained, its ceremonial uses were not to be treated with complete seriousness.

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