2.36″ (6.0cm) high x 1.65″ (4.2cm) wide
Sumerian cuneiform is one of the earliest known forms of written expression. First appearing in the 4th millennium BC in what is now Iraq, it was dubbed cuneiform (‘wedge-shaped’) because of the distinctive wedge form of the letters, created by pressing a reed stylus into wet clay. Early Sumerian writings were essentially pictograms, which became simplified in the early and mid 3rd millennium BC to a series of strokes, along with a commensurate reduction in the number of discrete signs used (from c.1500 to 600). The script system had a very long life and was used by the Sumerians as well as numerous later groups – notably the Assyrians, Elamites, Akkadians and Hittites – for around three thousand years. Certain signs and phonetic standards live on in modern languages of the Middle and Far East, but the writing system is essentially extinct. It was therefore cause for great excitement when the ‘code’ of ancient cuneiform was cracked by a group of English, French and German Assyriologists and philologists in the mid 19th century AD. This opened up a vital source of information about these ancient groups that could not have been obtained in any other way.
Cuneiform was used on monuments dedicated to heroic – and usually royal – individuals, but perhaps its most important function was that of record keeping. The palace-based society at Ur and other large urban centres was accompanied by a remarkably complex and multifaceted bureaucracy, which was run by professional administrators and a priestly class, all of whom were answerable to central court control. Most of what we know about the way the culture was run and administered comes from cuneiform tablets, which record the everyday running of the temple and palace complexes in minute detail, as in the present case. The Barakat Gallery has secured the services of Professor Lambert (University of Birmingham), a renowned expert in the decipherment and translation of cuneiform, to examine and process the information on these tablets. The following is a transcription of his analysis of this tablet:
‘This is a nice piece of cuneiform calligraphy, and the tablet is in very good condition save for damage to the lower right-hand corner, which does not obstruct reading and understanding. The text is an administrative document from the second year of Ibbi-Sin, last king of the Third Dynasty of Ur, c. 2027 B.C., and from the month Shuniggal (not so far fixed to a sequence in the calendar) and the 22nd day. It lists rations paid out to official messengers.
5 sila of beer, 5 sila of bread: Mr Shu-Ishtar, king’s messenger when he went to Kimash. 3 sila of beer, 2 sila of bread: Mr Adad-illati, king’s messenger when he went to Der. 5 sila of beer, 5 sila of bread: Mr Ahu-baqar, king’s messenger. 5 sila of beer, 5 sila of bread: Mr Puzur-Mama, king’s messenger when they went to call up men to thresh sesame. 5 sila of beer, 5 sila of bread: Mr Enum-ili [king’s[ messenger when he went to … 3 sila of beer, 2 sila of bread: Mr Peshmu, king’s messenger when he went to Kuths (?). 2 sila of beer, 2 sila of bread: Mr Lugal-amarku, pulverizer when he went to crush salt. 2 sila of beer, 2 sila of bread: Mr Daban, barber when he went for cornel twigs. Disbursement of the month Shuniggal. Year: the high priestess of Inanna of Uruk was chosen by divination. Left edge: 22nd day.
A sila was a measure of capacity, about .85 of litre, which fits beer very well, but to us is not suited to bread. Perhaps the flour used was measured, not the baked product. The main crop of Sumer was barley, and that provided the basic food and drink: bread and beer. The cornel twigs were used in magic and medicine, and the barber may have had some medical function.’Login to view price